Valerian and The City Of A Thousand Planets: Luc Besson’s Newest Cult Film

Ah, Luc Besson is back on our screens. We know Luc Besson – the only (currently) 58-year-old director who has the artistic sensibilities of a 15-year-old. How else could one explain his truly splendid yet overwhelmingly campy previous efforts Le Femme Nikita, Leon: The Professional and The Fifth Element (the pinnacle of Besson’s campiness)? After the ill-fated Joan Of Arc film and Arthur trilogy which steered wildly away from this previous work, Besson made a comeback of sorts with Lucy, a film that can stand toe-to-toe with Pacific Rim as one of the smartest dumb movies ever made owing to its preposterous plot and kinetic pace.

In 2017, he visits his teen sensibilities again by adapting one of his most beloved childhood comic books, Valerian And Laureline. The cinematic version of the aforementioned comic Valerian And The City Of A Thousand Planets might possibly take up the mantle of the first big budget cult movie to emerge from the summer of 2017. Why would I assume this film will only attain cult status and not be a full-blown blockbuster? Well, dear reader, that has to do with its plot, characters, visuals and overall camp factor.

Valerian And The City of A Thousand Planets follows the titular Major Valerian (Dane DeHaan) and Sergeant Laureline (Cara Delevingne) as they attempt to bring peace and prosperity to the sector of Mul (which is located in the vivid planet of Alpha) by providing its citizens with pearls which are inexplicably replicated by an alien creature that sort of resembles a dinosaur (called a converter) while keeping the evil Commander Arun Filitt (Clive Owen) at bay. Yes, you just read that, and I have barely scratched the surface when it comes to all the other truly bizarre sub-plots, strangely compelling characters and paraphernalia the film has on offer.

For the full version of this review please click:

Valerian and The City of A Thousand Planets Review


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