Atomic Blonde: Miss Broughton You Are Cool But No Furiosa

So, you’re telling me that Furiosa is coming off that dumpster fire F-word 8 by featuring in an out and out action movie co-starring that guy who has 23 personalities and directed by one of the minds behind John Wick?

Alright, makers of this film – I’ll play ball, but with two conditions: 1. Shut up and take my money, and 2. Don’t make me regret giving you my money.

And here we go.

Atomic Bond – oh, forgive me, Atomic Blonde – follows the story of supposed MI-6 agent Lorraine Broughton (Theron) as she kicks names and takes ass while traversing Cold War-ravaged Berlin and its wall in an attempt to retrieve the film’s McGuffin (a list which has the identities of many a spy) with the aid of a loose cannon British agent, David Percival (McAvoy).

With this plot line, the film quite obviously does not reinvent the wheel – instead, it takes a time-tested wheel and tries to drive away with it while trying to look chic. The first bit of information I’d like to give the movie-going masses is that this film is not the female version of John Wick (Jane Wick if you will) even if the trailers are cut with a deliberate intent of generating false expectations. What this film actually is, is a Cold War spy thriller with a sprinkling of some admittedly badass action.

When one hires David Leitch to direct a film, one can be sure of a few things. Firstly, he gets his crew of stunt trainers, choreographers, and performers known for creating spell-binding stuff. Secondly, he can direct pulse-pounding action while creating an unflappable mood and tone via his visual style and choice of music. And finally, his films need a clear and concise plot to be effective. What he does not need is the poor man’s Tinker Tailor Soldier Spy. While I would like to applaud the director for expanding his horizons by making a convoluted spy thriller, his glaring limitations as a filmmaker are jarringly evident.

For a full version of this review, please visit:

Atomic Blonde Review


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